In every project of Mikayel Ohanjanyan's plastic elaboration, we always find the attempt to embody ineffability. His sculpture involves and activates opposites: strict exactness vs. shadowy forms, in a very transparent spaciousness, where substance shades off in a light without boundary lines, where invisible shows itself in real things, which reveal invisible changing again just in the moment of its becoming perceptible.
Toni Toniato / Art Historian and Critic
Born in Yerevan, Armenia (1976)
Lives and works in Italy.